After successful 2016, 2018, 2021, and 2023 events in San Francisco, Writing Day Workshops is excited to announce The 2024 Writing Workshop of San Francisco — an online “How to Get Published” writing event on April 5-6, 2024. (Writers are welcome to attend virtually from everywhere and anywhere.)
This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited online “seats” at the event (200 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2024 Writing Workshop of San Francisco!
ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2024 WWSF is an Online Conference, on April 5-6. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)
WHAT IS IT?
This is a special two-day “How to Get Published” writing workshop on April 5-6, 2024. In other words, it’s two days full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. And even though this is the “San Francisco” Writing Workshop, make no mistake — writers from everywhere are welcome to attend virtually. Our WDW writers conferences have helped dozens of writers find literary agent representation — see our growing list of success stories here.
This event is designed to squeeze as much into two days of learning as possible. You can ask any questions you like during the online classes, and get your specific concerns addressed. We will have literary agents online to give feedback and take pitches from writers, as well. This year’s 2024 WWSF agent & editor faculty so far includes:
- literary agent Haley Casey (Creative Media Agency)
- literary agent Rebecca Lawrence (Booker Albert Literary Agency)
- literary agent Nour Sallam (PS Literary)
- literary agent Sheyla Knigge (High Line Literary Collective)
- literary agent Paul Levine (Paul Levine Literary Agency)
- literary agent Kelly Peterson (Rees Literary)
- literary agent Mara Cobb (Martin Literary Management)
- literary agent Keir Alekseii (Azantian Literary)
- literary agent Anjanette Barr (Dunham Literary)
- literary agent Zoe Howard (Howland Literary)
- literary agent Esty Loveing-Downes (Arthouse Literary)
- literary agent Bethany Fulk (Holloway Literary)
- literary agent Gabriela Laracuente Sanchez (Howland Literary)
- editor Elizabeth Trout (Kensington Publishing)
- literary agent Jynastie Wilson (LCS Literary Services)
- literary agent Brandy Vallance (Barbara Bova Literary Agency)
- literary agent assistant Shania Soler (Metamorphosis Literary)
- literary agent Monica Rodriguez (Context Literary)
- literary agent Lauren Scovel (Laura Gross Literary Agency)
- literary agent Lauren Albury (Holloway Literary)
- literary agent Justin Brouckaert (Aevitas Creative Management)
- literary scout Rae Loverde (Donald Maass Literary Agency)
- literary agent Sara Kelly Kornienko (Barbara Bova Literary)
- literary agent CoCo Freeman (Linda Chester Literary)
- literary agent Erin Clyburn (Howland Literary)
- literary agent Sophia Ramos (New Leaf Literary + Media)
- literary agent Sandy Lu (Book Wyrm Literary)
- literary agent Erica Bauman (Aevitas Creative Management)
- literary agent Ksenia Tserkovskaya (Deborah Harris Literary Agency)
- literary agent Matt Belford (New Leaf Literary + Media)
- literary agent Jaidree Braddix (Park & Fine Literary + Media)
- literary agent Kesia Lupo (The Bindery)
- literary agent Laurel Symonds (KT Literary)
- and more agents to come.
By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Brian Klems of Writing Day Workshops. Contact Brian at WDWconference@gmail.com to register, and tell him you’re specifically interested in the San Francisco conference.
EVENT LOCATION & DETAILS:
ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2024 WWSF is an Online Conference, on April 5-6. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)
THIS YEAR’S SESSIONS & WORKSHOPS (APRIL 5-6, 2024):
What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.
Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:
FRIDAY, APRIL 5, 2024
9:30 – 10:30: Write Like an Editor. In this session, writers will learn tips for editing and revising that will elevate their dialogue, world-building, and pacing to an editorial level.
10:45 – 11:45:Outlining for Pantsers. Not all of us are born outliners, but by identifying key turning points in your book, and focusing on what kind of narrative action best links them, every writer can quickly (and relatively easily) structure a satisfying plot with the four-quadrant method.
11:45 – 1:15: Break
1:15 – 2:30: Before You Submit to Agents — What You Need to Know. This class is for writers who believe they are finally ready to begin querying agents or submitting to editors who accept un-agented submissions. Writers will receive both industry advice and samples of fiction query letters and synopses as well as nonfiction book proposals.
2:45 – 3:45: Tips for Pushing Through Writer’s Block. In this session, we’ll explore a variety of practical tips and techniques designed to reignite inspiration and push through creative barriers.
4:00 – 5:00: How To Pitch Your Graphic Novel. Whether you’re looking to query a graphic novel script or your pitch packet is ready to go, let’s talk about what agents are looking for when it comes to pitching your graphic novel.
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SATURDAY, APRIL 6, 2024
9:30 – 10:30: Mistakes to Avoid When Pitching an Agent. This class takes a look at common mistakes that authors make when trying to present their manuscript to an agent or publisher.
10:45 – 11:45: Genre Masterclass. Helping authors select the best genre and age group for their submission, as each comes with its own parameters and expectations. From board books to adult novels, this would cover overviews of each category, readers’ expectations, and word count ranges.
11:45 – 1:15: Break
1:15 – 2:30: “Writers Got Talent”—a Page 1 Critique Fest, with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.
2:45 – 3:45: Open Agent Q&A Panel. Several attending literary agents will open themselves up to open Q&A from WWSF attendees. Bring your questions and get them answered in this popular session.
4:00 – 5:00:Understanding The Basics of Book Contracts. This class will break down tricky contract terminology and share insight into what the industry considers to be standard contract language versus a red flag.
Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:
(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)
Agent & Editor Pitching: All throughout the day.
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PITCH AN AGENT OR EDITOR:
Sophia M. Ramos is a literary agent with New Leaf Literary + Media. She represents commercial to upmarket genre-blending fiction for adult, YA and select middle-grade projects. Sophia loves intentional, lush prose combined with propulsive plots and thoughtfully complex family dynamics. She gravitates toward speculative books rooted in history or culture that have elements of romance, mystery, and horror. She strives to build a list that speaks to traditionally underrepresented voices and intersectional identities. Learn more about Sophia here.
Haley Casey [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with Creative Media Agency. In adult fiction & nonfiction, she seeks: Women’s Fiction; Book Club Fiction; Romance (Bring me your tropes!); Contemporary; Paranormal; Nonfiction; Narrative nonfiction; Cultural, LGBTQ+ and Women’s Issues. In Young Adult, she seeks: Contemporary; Mystery/Horror; Fantasy; (Light) Science Fiction; Dystopian; and Nonfiction. In Middle Grade, she seeks: Contemporary; Mystery; Fantasy; Science Fiction; and Dystopian. I especially love anything that focuses on minority voices, including POC, LGBTQ+, disability, and mental health issues. Send me thoughtful and meaningful magical realism for any age group; manuscripts with nuanced character relationships; unique urban fantasies; clever fairytale retellings; and reimagined classics (such as Jane Austen or The Count of Monte Cristo). Learn more about Haley here.
Zoe Howard is a literary agent with Howland Literary. In adult fiction, she is seeking voice-driven stories that subvert reader expectations of their subject matter. Zoe is especially interested in unashamed characters; characters at their breaking point; literary fiction with speculative elements, especially those that tend dark and underground (Sharks in the Time of Saviors); joyous girlhood; body horror & transformations of the body; and insular settings (small towns, amusement parks, summer camps, hotels). In adult nonfiction, Zoe is looking for narrative nonfiction, memoir, and essay collections that blend personal narratives with research or questions about the larger world. She would love to see more nonfiction that reads like fiction. Her niche interests include material culture, why & how we use objects, celebrities, pop culture, parasocial relationships, and the connections between people and the places they inhabit. Pitch Zoe your off-kilter, heartfelt, lyrical, and literary work. Learn more about Zoe here.
Laurel Symonds is a literary agent with kt literary. I represent young adult and middle grade fiction, and I have a special interest in contemporary, historical fiction, and genre-blending fantasy. I look for engaging voices, commercial hooks, and immersive worlds. My YA tastes are pretty commercial but my middle grade tastes can skew more literary, and I’m especially interested in middle grade that might lend itself to illustration. I also represent picture books, graphic novels, and other illustrated work, and I am open to new clients who are both authors and illustrators. My tastes are diverse, ranging from sophisticated to quirky to gently humorous. I especially appreciate a smart use of color and perspective. Additionally, I represent select nonfiction for children and young adults, especially projects about STEM or history with age-appropriate hooks and series potential. In every category, I’m particularly seeking voices that have previously been underrepresented and stories that have been overlooked. Learn more about Laurel here.
Ksenia Tserkovskaya is a literary agent with The Deborah Harris Agency. Ksenia is interested in literary and upmarket fiction and creative non-fiction, with an occasional children’s book. She works with titles in English, Russian, and Hebrew. Now based in Israel, Ksenia has received her BA in Jewish Studies and Philology from the Moscow State University and her MA in Publishing and Language from the Oxford Brookes University. Learn more about Ksenia here.
Jynastie Wilson is a literary agent at LCS Literary Services. Jynastie is looking for a variety of projects in both adult and children’s genres. In addition to what is listed below, she is always interested in stories written by LGBTQ+, BIPOC, and/or other marginalized authors. In adult fiction, she seeks: new adult, and contemporary romance. In young adult, she seeks: contemporary, romance, science fiction, fantasy, historical, and horror. In middle grade, she seeks: contemporary, science fiction, fantasy, historical, and horror. In kidlit, she seeks children’s picture books and chapter books. Learn more about Jynastie here.
Kesia Lupo [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with The Bindery. “I consider middle-grade and YA my specialty and would love to represent authors writing for these age groups. But I’d love to return to my roots and also represent adult genre fiction in science fiction / fantasy and horror. I’m an omnivore in my reading taste and I would love my list to reflect that – so, while I’ve tried to be exhaustive, if you have something that doesn’t quite fit then please don’t hesitate to pitch anyway! In general, I’m looking for fiction for middle grade, YA and adult readers – and also a smattering of popular, accessible nonfiction. Across age groups, I’m a big fan of original fantasy, accessible but smart science fiction, paranormal or creepy horror, thrillers (especially if they have a shocking twist!), dark academia and basically all stories that help me escape or make me question everything. I majored in History so I love a bit of historical fiction too, as long as it’s done in a fun and accessible way – and I enjoy romance. For nonfiction, I’m looking at narrative nonfiction with broad appeal – I love books about psychology and big political, cultural or historical topics.” Learn more about Kesia here.
Gabriela Laracuente Sanchez is a literary agent with Howland Literary. In adult fiction, she is looking for literary and upmarket works that have strong cultural influences—especially from Hispanic and Latine backgrounds. She wants to see works that explore topics of cultural identity, complex family dynamics, womanhood, and characters adapting to new spaces. She is also interested in projects that are multilingual and utilize code-switching, incorporate elements of magical realism and speculative fiction, and incorporate elements of food writing. In adult nonfiction, she is looking for cookbooks of Latin-American and Caribbean cuisine. Learn more about Gabriela here.
Erica Bauman [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with Aevitas Creative Management. Erica represents a wide variety of authors across middle grade, young adult, and commercial adult fiction. She is most interested in commercial novels that feature an exciting premise and lyrical, atmospheric writing; imaginative, genre-blending tales; speculative worlds filled with haunting, quietly wondrous magic; fresh retellings of mythology, ballet, opera, and classic literature; sharply funny rom-coms; graphic novels for all ages; fearless storytellers that tackle big ideas and contemporary issues; and working with and supporting marginalized authors and stories that represent the wide range of humanity. Learn more about Erica here.
Jaidree Braddix is a literary agent with Park & Fine Literary + Media. Jaidree represents a broad range of nonfiction authors who are changing the ways we think about, talk about, and move through the world we live in. Her clients are Guinness World Record-holding athletes, activists who are challenging societal standards and institutions, trailblazers who have created globally trending wellness movements, and acclaimed thought leaders in the fields of psychology, neuroscience, business, and organizational behavior. Specializing in platform-driven nonfiction, Jaidree is committed to helping authors turn their assets—be they courageous ideas, academic studies, foundations for social good, popular podcasts, transformative programs, or online communities—into compelling proposals and noteworthy books. Learn more about Jaidree here.
Esty Loveing-Downes is a literary agent with Arthouse Literary. Esty is looking for romance, upmarket fiction, young adult, genre-blending science fiction, picture books, as well as select nonfiction and select literary fiction. In nonfiction, she’s looking for insightful social commentary. She is a good fit for fresh retellings, fairy tales, and artful, rebellious prose. Learn more about Etsy and her bio here.
Sara Kelly Kornienko [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with Barbara Bova Literary Agency. “I represent contemporary fiction, historical fiction, literary fiction, women’s fiction, sports fiction, young adult, fantasy, fantasy romance, science fiction, dystopian fiction, suspense and thriller.” Among other things that she enjoys, she gravitates toward books that: focus on sports or the athlete experience; include diverse characters that portray a wide range of human experiences; feature witches, Fae, or any other mythical creatures (I’m a fan of pretty much anything related to Irish or Scottish Folklore); and reimagine fairy tales. “While I gravitate toward certain genres and plot elements, I’m not limited to these. I have a wide range of reading interests, so if you have a quality story that you believe I would be a good fit to represent, then pitch me!” Learn more about Sara here.
Elizabeth Trout is an associate editor at Kensington Publishing. A graduate of Kenyon College and the Columbia Publishing Course, Elizabeth began her publishing career working for literary agents before moving over to the editorial department at Kensington in 2018. She is seeking voice-driven women’s fiction with romance crossover, historical fiction set in underexplored time periods or settings, gothic fiction, mysteries that are not fully cozy but not procedural, and general fiction with a speculative or magical realism tilt, but grounded in our world. Learn more about Elizabeth here.
Anjanette Barr [SOLD OUT OF PITCH APPOINTMENTS] is a Literary Agent at Dunham Literary, Inc. She is seeking: This could look like an historical fiction that uses captivating detail and relatable characters to bring times-gone-by to life (My Antonia, Outlander), or it could be a sci-fi/fantasy world that highlights virtues like empathy and self-sacrifice (Lord of the Rings, Song of Albion, The Sparrow). A romance set in a place so vivid she feels she’s traveled there and wants to take up the protagonists hobbies will definitely get her attention (The Winter Sea). In nonfiction she is looking for well-researched biography (Unbroken) written in beautiful literary prose, popular science and other disciplines titles that make lay-people enchanted and invested in topics previously over their heads (The Elements by Theodore Grey, Freakonomics), and memoir with the ability to connect diverse readers (If You Lived Here I’d Know Your Name by Heather Lende). She’s also interested in books that shed light on poverty and justice in a new way (Evicted by Matthew Desmond). She prefers picture books that are winsome and pleasant to read aloud (Blueberries for Sal, Brigid’s Cloak by Bryce Miligan, Miss Rumphius). Humor is great when it helps tell the story (The Book with No Pictures, Good Dog Carl). Learn more about Anjanette here.
Lauren Scovel is a literary agent with Laura Gross Literary Agency. “I am looking to amplify underrepresented stories and voices, and am especially interested in both fiction and narrative nonfiction with a timely, distinctive story and a diverse cast of characters.” In fiction, Lauren represents: Commercial, LGBTQ, Literary. In nonfiction, Lauren represents: History, Journalism, LGBTQ, Memoir, Pop Culture, True Crime. Learn more about Lauren here.
Brandy Vallance is a literary agent with Barbara Bova Literary Agency. “I represent these genres but I am also not limited to these genres: historical fiction, historical romance, historical mystery, romance, literary, women’s fiction, Southern fiction, science fiction, fantasy, young adult, adventure, speculative, inspirational, thriller. I’m a fan of: atmospheric writing; stories set in the British Isles, Europe, or exotic locations; Regency, Victorian, and Edwardian romance; Victorian time period in general (other centuries are welcome too); archaeology / artifacts / history’s mysteries; stories that explore Biblical themes without being preachy (ex. Charles Martin books); Appalachian stories / mountain culture; fantasy & sci-fi in almost every sub-category; characters who are writers, artists, or have a unique profession; and more.” Learn more about Brandy here.
Lauren Albury is an literary agent with Holloway Literary. She is seeking: literary fiction, historical fiction, book club fiction, women’s fiction, upmarket fiction. She has a soft spot for: Caribbean stories and voices, Southern settings, romantic themes, and rich immersive settings like Where the Crawdads Sing and lyrical prose like All the Light We Cannot See. “Give me compelling characters with unexpected story arcs. Immerse me in another culture so I feel like I grew up there. Make me laugh with sharp wit and cry at poignant subtleties. Teach me something new about the human experience and what it means to be alive.” Learn more about Lauren here.
Kelly Peterson (she/her) is a literary agent with Rees Literary. Kelly seeks books in various genres within Middle Grade, Young Adult, and Adult age ranges. In Middle Grade, she’s looking for: Fantasy and sci-fi; contemporary that touches on tough issues for young readers. In Young Adult, she’s looking for: Genres from contemporary, to high fantasy, to sci-fi (not the space kind) to paranormal (all the ghost stories, please!) and historical all the way back to rom-coms. In Adult, Kelly represents: Romance, fantasy, and sci-fi. She is very interested in representing authors with marginalized own voices stories, witty and unique characters, pirates, witches, and dark fantasies. Learn more about Kelly here.
Justin Brouckaert is a literary agent with Aevitas Creative Management. Justin is a Metro Detroit native who holds an MFA in fiction from the University of South Carolina, where he was a James Dickey Fellow. As an agent, he is interested in memoir, essay collections, and narrative nonfiction. In nonfiction, he is most interested in memoirs that offer access to exclusive places and experiences, as well as reported narratives that shed light on under-represented people and communities. Learn more about Justin here.
Sandy Lu [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with Book Wyrm Literary Agency. In fiction, she seeks: literary and commercial fiction, mystery, thriller, suspense, science fiction, fantasy, horror, historical fiction, family saga, upmarket women’s fiction, and YA. In nonfiction, she seeks: narrative nonfiction, history, biography, science, business, psychology, pop culture, and food writing. Sandy especially loves historical fiction and anything dark, twisted, or with a supernatural bent. In nonfiction, she’s looking for projects that can make connections about different topics in an unexpected way, explicate complex research for a general audience, introduce the reader to cutting-edged science or previously little known historical facts and figures, teach us new ways to think or clever skills that can improve our daily life, and expand our knowledge and understanding of the world—past, present, and future. Learn more about Sandy here.
Bethany Fulk is a Literary Agent at Holloway Literary. Middle Grade likes: fantasy (all types), historical fantasy, alternate history, spooky, paranormal, mystery, adventure stories (quests, heists!), retellings (myth, folklore, legends, fairytales), and friendship stories (the strength of friendship, friendship break ups!). Young Adult likes: diverse fantasy (especially drawing on underrepresented voices/myths/worlds/places/etc); historical fiction/fantasy, alternate history, paranormal, spies/heists, Gothic/horror, retellings (myth, folklore, legends, fairytales), rom-coms (emphasis on the comedy!). Learn more about Bethany here.
CoCo Freeman is a literary agent with Linda Chester Literary Agency. “I am a graduate of Bard College with a B.A. in Written Arts. Before joining Linda Chester, I worked for Tom Yoon Productions developing projects and editing existing material. I am very happy to have entered the world of my first love, books. I am looking for smart adult commercial fiction in a variety of genres, including mystery/thriller/suspense, fantasy, romance, women’s fiction and historical, Young/New Adult, Middle Grade and select picture books.” Learn more about CoCo here.
Nour Sallam is an associate agent at PS Literary Agency. Nour is acquiring both fiction and nonfiction for adults. She is actively seeking projects that address social and political issues, and/or center BIPOC characters. She is drawn to titles that explore the diverse experiences of underrepresented groups and challenge our understanding of diasporic experiences and/or cultures. In terms of fiction, she is seeking commercial and upmarket titles, contemporary fiction with fabulist elements, speculative fiction, edgy psychological thrillers, as well as mysteries, light horror and rom-coms featuring underrepresented characters of any background. For nonfiction, Nour welcomes fresh and accessible perspectives on big concept ideas or industry deep-dives as well as personal narratives on pop culture, art, and nature. She also appreciates books that offer incisive commentary on culture, socio-economic structures, health and wellness, and lifestyle. Learn more about Nour here.
Mara Cobb is a literary agent with Martin Literary Management. Currently, Mara is looking for adult nonfiction and women’s-driven fiction (especially main characters in their 20s). Mara is also looking for Christian fiction, Christian romance (think Hallmark-style), and Christian YA. Going into 2024, she would also love to acquire clean (light romance/no or minimal cursing) YA fiction of any genre except fantasy. She is seeking clean adult commercial romance/romcoms, compelling book club fiction, and SEL picture books. Learn more about Mara here.
Paul S. Levine is a literary agent and the founder of Paul S. Levine Literary. He is also an attorney. His fiction interests include adventure novels, mainstream fiction, mysteries, romance, thrillers, and women’s fiction. His nonfiction interests include business/commerce, pop culture, how-to, self-help, politics/law, relationships, and sports. Learn more about Paul here.
Keir Alekseii is a literary agent with Azantian Literary Agency. Keir is seeking YA & Adult sci-fi / fantasy / horror and YA contemporary novels. She is ONLY open to taking pitches from writers who identify as belonging to a marginalized or underrepresented community. Across all genres, Keir loves complex, smart, emotional characters and they would love to see more books with morally gray, unapologetic characters. Genre blending and/or bending books are welcome. Retellings or re-imaginings that match her wish list are welcome. Learn more about Keir here.
Matt Belford is a literary agent with New Leaf Literary + Media. Matt is primarily looking for nonfiction projects with unique takes and fresh ideas to be explored. In the adult science fiction and fantasy realm, as well as the adult graphic novel space, he is looking for character-driven works that get to the heart of emotionality; he wants to laugh and cry with your characters. No matter the genre, Matt is looking for under-represented voices. Learn more about Matt here.
Shania N. Soler is a literary agent assistant with Metamorphosis Literary. She is seeking: “I’m a bit of an all around reader and can get behind most any young adult, new adult or adult novel that takes me on journey. The genres that I’m interested in are: historical fiction, high fantasy, contemporary romance (with the spice!), mystery/thriller, and horror. I’m not big on standalone novels, but if you can get the pacing right and keep me invested throughout, I’m sold. Think books like Icebreaker, Horrid or The 7 1/2 deaths of Evelyn Hardcastle. Learn more about Shania.
Sheyla Knigge is a literary agent with High Line Literary Collective. Sheyla is very interested in books by marginalized creators who have yet to have the opportunity to have their voices heard particularly BIPOC, LGBTQIA, and other #OwnVoices as a fellow queer woman of color. She longs to see uplifting stories from these communities rather than ones that focus on the trauma that comes from being a part of them. Sheyla would love to see stories filled with myth, magic, and a healthy dose of smut when appropriate. Alternatively, she would love to see Percy Jackson-esque Middle Grade fiction; the type she can giggle along with as she reads them to her own children. Stories set in other lands, or other worlds tend to be her go to choice when reading so fill her inbox with them! Learn more about Sheyla here.
Erin Clyburn [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with Howland Literary. Erin represents middle grade fiction, YA fiction, and adult fiction and nonfiction. In MG and YA, she is looking for horror, mystery, thriller, big-hearted contemporary, and grounded stories with magical or speculative elements (grounded sci-fi or fantasy elements). In adult fiction, she is most interested in upmarket and literary fiction, and she gravitates toward the dark and strange: horror, thriller, mystery, and grounded stories with speculative or magical elements. Send her your weirds. In nonfiction, she’s interested in intersectional perspectives and is looking for narrative nonfiction, memoir, and deep dives into topics including pop science, nature, food and culinary history, and sports and adventure. An Alabamian with Louisiana roots, Erin is particularly interested in Southern literary and upmarket fiction from diverse voices in the above genres. Learn more about Erin here.
Rebecca Lawrence is a literary agent with Booker Albert Literary Agency. From a young age, she has been fascinated with epic worlds like LOTR and The Way of Kings by Brandon Sanderson. Books with romantic elements like Ella Enchanted, The Goose Girl, and The Cruel Prince all have places in her top ten. She also adores historical fiction like The Wednesday Wars and iconic masterpieces like Monica Hesse’s They Went Left, but her all-time favorite novel has to be the grounded fantasy The Scorpio Races. Her favorite troupes are houses-with-personality (think House of Leaves or The Haunting of Hill House), zombie apocalypses like in the book World War Z, and underwater worlds. Regardless of genre, Rebecca is looking for stories that have good pacing, grounded worlds, and believable characters. She is interested in fantasy of all kinds and anything that has a good hook. She would love to see more scary YA and MG historical fiction. Learn more about Rebecca here.
Monica Rodriguez is a literary agent at Context Literary. Monica is looking to uplift underrepresented voices, including, (but not limited to) authors who identify as People of Color (BIPOC), disabled, neurodiverse, and LGBTQ+. In children’s literature, she is actively looking for PB, MG, YA & Graphic Novels. She is also open to adult and nonfiction submissions. Across all genres & age groups, she’d love to find: stories about identity, specifically first-gen stories or immigrant experiences; stories about self-love with coming-of-age themes. (I believe we are always coming-of-age, regardless of age!); stories about family relationships, messy/dysfunctional families or found families; stories about sibling relationships or cousin relationships, specifically navigating adult sibling relationships or cousin relationships with cultural differences. (i.e. first-gen themes); stories about travel, where the book is set outside the U.S. or even traveling to the U.S.; stories with messy characters who are trying their best; stories with characters who are curious about therapy or where mental health is advocated for; stories about badass women doing badass things; stories about cultures that are rarely explored. Learn more about Monica here.
Rae Loverde is an agent assistant at Donald Maass Literary Agency. At the 2024 SWW, she will be acting as a literary scout — taking pitches at the workshop on behalf of one or multiple co-agents at her agency. Her co-agent Cameron McClure is seeking the following: projects that combine genre style plotting with literary quality writing. She’s up for anything speculative, and is interested in seeing science fiction and fantasy, mystery and suspense, horror, and projects with multi-cultural, international, environmental, and LGBTQIA+ themes. She is interested in adult genre fiction only — no YA or MG. And she is not interested in adult literary fiction, mainstream fiction, women’s fiction, or chick lit. Learn more about Rae and Cameron here.
More 2024 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.
These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.
(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)
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PRICING:
$189 — EARLY BIRD base price for registration to the 2024 WWSF and access to all workshops, all days. (You also get 10+ additional free pre-recorded webinars on writing and publishing.) As of late 2023, registration is now OPEN.
Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals. There is no limit. Here are quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. Our bigger, growing list of success stories can be seen here.
“I met my client, Alison Hammer, at the Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary
“Good news! I signed a client [novelist Aliza Mann]
from the Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary
“I signed author Stephanie Wright from
the Seattle Writing Workshop.”
– literary agent Kathleen Ortiz of New Leaf Literary
“I signed an author [Kate Thompson] that I
met at the Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary
“I signed novelist Kathleen McInnis after meeting her
at the Chesapeake Writing Workshop.”
– literary agent Adriann Ranta of Foundry Literary + Media
Add $69 — for an in-depth, personal critique of your one-page query letter from Brian Klems, one of the workshop’s former instructors. (This rate is a special event value for Writing Workshop of San Francisco attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?
Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get a phone/Zoom critique meeting with the faculty member. Options:
- Mystery, crime, suspense, thriller, horror, mainstream, commercial, contemporary fiction (virtual critiques): Faculty member Heather Chavez, a published novelist, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
- Young adult, middle grade, romance, upmarket/literary, women’s fiction, fantasy, paranormal, picture books; in nonfiction, self-help or inspirational by women (virtual critiques): Faculty member Sabine Berlin, a published novelist, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
- Children’s picture books and middle grade (virtual critiques): Faculty member Brittany Thurman, a published author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting. If you submit a picture book, it must be 1,000 words or fewer (can have illustrations or not).
- All types & genres of fiction for adults and young adults (virtual critiques): Faculty member Kristi Belcamino, a published novelist, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
- More critique options possibly forthcoming.
How to pay/register — Registration is now open. Reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com, and he will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by PayPal or check or credit card. Because Brian plans different workshops, make sure you note that you’re inquiring about the San Francisco workshop specifically.
REGISTRATION:
ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2024 WWSF is an Online Conference, on April 5-6. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)
Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.
How to Register: The easy first step is simply to reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com. He will pass along registration information to you, and give instructions on how to pay by PayPal or check or credit card. Once payment is complete, you will have a reserved seat at the event. The WWSF will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Brian plans different workshops, make sure you note that you’re inquiring about the San Francisco workshop specifically.
Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal or CC refund]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already started edited your work.)
Thank you for your interest in the Writing Workshop of San Francisco.
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