Emily Williamson is a literary agent and founder of Williamson Literary, a small but vibrant and actively engaged literary agency in Baltimore, Maryland.

Emily Williamson represents a variety of projects in nonfiction and fiction. She is a native of New Jersey, graduated from American University (BA Anthropology) in 1997 and Johns Hopkins University (MA Writing) in 2012. She began her editing career in 2011 with Chrysalis Editorial* in Washington, DC. In 2016 she founded Williamson Literary, driven by the desire to help great writers achieve their publishing goals.

As a writer, she understands the investment of time and heart it takes to follow this challenging path. It is the core of Williamson Literary—to support the careers of dedicated writers who deserve to see their ideas and imaginings realized. Williamson Literary is also about building relationships: agent-author, agent-publisher, author-publisher.

In the past, Emily spent 13 years as an archaeologist traveling all over the US and abroad in search of many things…sometimes finding nothing. It is this varied, nomadic past that has influenced her own writing and her particular interests as an agent. Emily does other things. She is a painter (see Twitter page). She loves the outdoors, cuts her own firewood, and plays fantasy football. She’s one of those annoying people who can’t eat gluten; she binge-watches Netflix shows; loves to travel; and her preferred clothing season is Autumn.

Here’s what we currently represent:

Nonfiction: history, sports, science, environmental, biographies, travel, culture, adventure, educational, motivational (i.e. work that informs or inspires social change or advocates for women and BIPOC). Give thought to your author platform and develop a strong marketing section for your book proposal.

Adult Fiction:  upmarket, contemporary, literary, and commercial; character-driven women’s fiction, book club fiction, domestic suspense, adventure, international, upbeat, feel-good, dark and dangerous, fiction with fantastical elements or magical realism, poignant social commentaries, humor, satire, new takes on old tropes. Send us writing that sings rather than tells, take us on an emotional journey, build vivid scenes for us, craft strong voices and unusual and unforgettable settings (we love stories where place is a character too). Any subject is welcome.

If you’d like to address your query letter to a particular agent, visit our About page to learn more.

What we do Not represent:

The heavily partisan, inflammatory, or hateful
Children’s picture books, Middle Grade or Young Adult
Genre Romance or Erotica
Horror (as a strict genre, but we like classic horror elements)
Hard Science Fiction and High Fantasy (again as a strict genre, but we love out-of-this-world stories)

Amaryah Orenstein is a literary agent with Go Literary.

Amaryah has always loved to read and provide (oftentimes unsolicited) editorial advice and, as a literary agent, she is thrilled to help writers bring their ideas to life. She is particularly drawn to narrative nonfiction and memoir but enjoys any book that connects the reader to its characters and evokes thought and feeling.

Amaryah began her career at the Laura Gross Literary Agency in 2009 and, prior to that, she worked as an Editorial Assistant at various academic research foundations, including the Tauber Institute, where she edited books for Brandeis University Press/University Press of New England. Originally from Montreal, Canada, Amaryah earned a BA at McGill University before coming to the United States to pursue graduate studies in American History. She completed an MA at Ohio University’s Contemporary History Institute and a PhD at Brandeis University, and currently serves as Co-President of the Boston chapter of the Women’s National Book Association.

Kortney Price is a literary agent with Belcastro Agency.

“I work primarily on children’s books — stories from board book up through young adult. My tastes in stories are pretty broad, but here’s a rundown of what I’m most excited about seeing in my inbox…

“I am committed to building a list that reflects the diversity of our world and so I am passionate about diverse representation in the books I work with. I would love to see a vast array of characters and own voices writers writing them. Because of my experience working with the special needs community, I’m especially excited for books featuring all of those uniquely special brains or bodies that don’t operate like everyone else’s.”

In Nonfiction:

Categories: PB, MG, YA, Graphic Novel

“How to” books for kids such as cooking, art, science, computers, mindfulness, handiness skills, wilderness skills, etc. I’m looking for a unique take on these kinds of books, especially one that evokes the imagination in some way.

Books for girls (or boys!) featuring body image, body changes, lifestyle, stress management/mindfulness or health

Picture books that introduce readers to new concepts such as baking, music, yoga, mindfulness, dance, etc.

In Fiction:

Categories: PB, Early Reader, Chapter Book, MG, YA, Graphic Novel

Board Books:

Simple, engaging, movement type books that introduce young readers to new things such as cooking, musical instruments, animals, etc.

Picture book specifics:

I love picture books that are either emotionally poignant or hilarious. I have a soft spot for unique retellings and holiday stories. Family traditions, love, self-acceptance and empowerment are also my favorites. Some of my favorites growing up were: The True Story of the Three Little Pigs, Heckedy Peg, Tacky the Penguin, and The Little Old Lady Who Was Not Afraid of Anything.

Early Reader & Chapter Book specifics:

For early reader and chapter books, I am looking for just about anything. Amelia Bedelia was my all time favorite. Magic Tree house-type books are also a favorite. I love history in these stories and would love to see more books geared toward boys in this realm.

Middle Grade specifics:

In middle grade, I’m still more than a little obsessed with finding a wilderness survival story. Show me kid versus nature, whether it be mountains, desert islands, or jungle, I’m dying to find something in this realm. Otherwise I’m looking for super creepy horror, poignant contemporary, historical adventures and troublemakers on the space station type of sci-fi.

Young Adult specifics:

In young adult, I’m looking for the same kind of survival stories as I am in middle grade. Contemporary YA would be either lighthearted romance with a good dose of comedy, or a much more serious contemporary tackling topics that are much heavier such as dealing with trauma.

My MAIN wish in YA is for more horror, magical realism, psychological thriller, genre blending historical… basically all of the stories you avoid reading when home alone. I adore stories with a distinctly gothic feel, hauntings, psychological cat and mouse games, or other dark and twisty elements.

Fun facts about me:

My first ever job was showing cattle at the county fair for a cut of the winnings.
I have volunteered/worked in the special needs community since I was 9 years old. The first thing I taught was swim lessons.

I “played” 9 sports at various times growing up. I was never any good at any of them, but enjoyed dance, swim and track the most. I loved jazz and tap, swam the 400m IM and ran the 400m sprint.

I tell people I’m from Saint Louis, but I’m actually originally from a teeny farm town in Southern Illinois, about an hour’s drive east of the city.

Mariah Stovall is a lterary agent with Trellis Literary.

Mariah joined Trellis Literary Management after agenting at Howland Literary and Writers House. Prior to that, she worked on the other side of things, at Farrar, Straus and Giroux and at Gallery Books.

She is actively seeking writers with strong voices and intersectional and interdisciplinary perspectives. She works on adult literary and upmarket fiction, narrative nonfiction, essay collections and memoir. She’s most passionate about music, mental health/illness, Black America, linguistics, histories of objects and ideas, pop science, and deep dives into subcultures and social movements, but great writing can get her interested in any topic.

Mariah hopes to learn something from everything she reads, whether that’s a new possibility for how to structure a novel or a piece of history she wasn’t taught in school. She gravitates toward outsider characters and weird, dark, challenging stories that are obsessive in content and craft. She has a hands-on, collaborative approach to editing, and loves helping writers shape their projects for publication. She is especially passionate about advocating for authors from underrepresented and marginalized and minoritized groups (including writers without MFAs).

Mariah is a graduate of Pitzer College, of the Claremont Colleges, where she studied English and World Literature with a minor in Linguistics. She has written fiction and nonfiction for Ninth Letter, Hobart, Joyland, The Los Angeles Review of Books, Catapult, The Paris Review, Poets & Writers, Literary Hub and more, and volunteered with VIDA: Women in Literary Arts.

Mariah’s favorite non-client authors: Hanif Abdurraqib, Percival Everett, Leslie Jamison, Han Kang, Angie Kim, Raven Leilani, Valeria Luiselli, Ottessa Moshfegh, Aimee Nezhukumatathil, Helen Oyeyemi, Mary Roach and Sanjena Sathian.

Sandy Lu founded Book Wyrm Literary Agency after working as a literary agent for more than a decade at other boutique agencies, including Peter Rubie Literary Agency, Anderson Literary Management, and most notably, the L. Perkins Agency.

Book Wyrm Literary Agency is actively looking for new and exciting voices in the following:

In fiction: literary and commercial fiction, mystery, thriller, suspense, science fiction, fantasy, horror, historical fiction, family saga, upmarket women’s fiction, and YA.

In nonfiction: narrative non-fiction, history, biography, science, business, psychology, pop culture, and food writing.

We do not represent poetry, screenplays, picture books, and books about parenting, religion/spirituality, and sports.

Born and raised in Taiwan, Sandy’s family moved to New York in her teens, so she understands the struggles of immigrants and those who straddle two cultures all too well.

Sandy holds BAs in psychology and sociology from Queens College, with minors in music, business, and Japanese. Prior to becoming an agent, she attended the Ph.D. Program in Social and Personality Psychology at the CUNY Graduate Center and worked as a business/operations manager in the theater industry.

Sandy’s areas of study and work experience greatly inform her interest in submissions. In fiction, she is seeking stories that will draw her in with a unique voice, make her miss her bedtime with a thrilling plot, and characters that will stay with her long after she turns the last page. Bonus points if you can make her laugh out loud or unable to hold back tears in public. Sandy especially loves historical fiction and anything dark, twisted, or with a supernatural bent.

In nonfiction, she’s looking for projects that can make connections about different topics in an unexpected way, explicate complex research for a general audience, introduce the reader to cutting-edged science or previously little known historical facts and figures, teach us new ways to think or clever skills that can improve our daily life, and expand our knowledge and understanding of the world—past, present, and future

Jane Chun is a literary agent with Transatlantic Agency.

Prior to joining Transatlantic in 2023, she was at Janklow & Nesbit for four years. She also worked on a freelance project for HG Literary and interned at Writers House and Maximum Films & Management.

Jane is particularly interested in stories that center marginalized communities and prose that is cinematic and atmospheric with good rhythm. In both fiction and nonfiction, she is drawn towards compelling, fresh voices that make her feel as though the writer is in the room with her, telling her their story with intimacy as if they were already acquainted. Regardless of how plot-driven a story is, characters with rich inner worlds and emotional depth are a must for her.

For fiction, she is seeking commercial, upmarket, and literary works in both adult and MG/YA about the search for and rebuilding of identity, diaspora, family and community, and examinations of power in relationships. She is also looking for fantasy, sci-fi, and speculative fiction that delve into sharp social commentary and have meticulous worldbuilding and settings that don’t feel like Western Europe. For historical fiction, she likes hidden histories and anything that is set in a time or place she’s not familiar with or focuses on a community that has been often overlooked if it’s a time/place she knows.

In terms of nonfiction, she is looking for memoirs, essay collections, and narrative nonfiction with a nuanced, intersectional approach and similar themes to her interests in fiction. She also is interested in books about food, travel, pop culture, and cultural criticism that dive deeply and thoughtfully into culture and traditions.

In addition to traditional prose, she is very interested in graphic novels and nonfiction. She is looking for stylistically engaging, unique art that feels either nostalgic without being derivative or fresh and boundary-pushing.

She is not the right person for picture books, prescriptive nonfiction, self-help, religion/spirituality books, romance, commercial thrillers, hard sci-fi, poetry, or short story collections.

Jane is a native New Yorker and attended NYU where she majored in History and minored in Business of Entertainment, Media, and Technology; Creative Writing; and Spanish. She returned to NYU shortly after graduating to receive her M.S. in Publishing with distinction.

Jane is part of the 2022 Literary Agents of Change Mentorship Program cohort and the American Association of Literary Agents (AALA).

Rachel Altemose (she/hers) is a literary agent and has been with Salky Literary Management since its inception in 2019. Prior to SLM, she interned at Eden Street Literary Agency and attended the Columbia Publishing Course.

She has a burgeoning list of picture book, middle grade, young adult, narrative/serious nonfiction, and literary fiction authors, and also assists Jesseca, Eryn, Kate, and Charlotte with SLM and CSLA clients.

Rachel is a lifelong lover of storytelling and graduated from Vassar College with degrees in English and drama. She is interested in a diverse array of genres (children’s through adult) and is particularly keen on narratives with unique voices, diverse perspectives, immersive settings, complicated familial relationships, young/twenty-something protagonists, magical realism/surrealism, or experimental style.

Kelly Thomas is a literary agent with Serendipity Literary.

Kelly brings seventeen years of sales and business expertise to the literary world as a champion for writers. Kelly is a Certified Copy Editor who has a Bachelor’s degree in English (Literature) from Pace University. She is an associate member of the Association of American Literary Agents (AALA) and a member of the Editorial Freelance Association. Prior to joining Serendipity, she provided manuscript analysis for the D4EO Literary Agency. She is a panelist for the New York Women in Film & Television’s (NYWIFT) ‘The Business of Adaptations Panel’ program and a trainer for the ‘Next Bestseller Workshops.’ Kelly has participated in Pitch Slams for writing conferences, including ThrillerFest, Crimebake, and The Writer’s Digest Conference. She has sat on ‘Ask the Agent’ panels for the AWP Conference and Writing Barn’s ‘Courage to Create’ program and a ‘First Pages Critique’ panel for the Carnegie Center for Literary and Learning’s Books-in-Progress Conference. Kelly is a published poet with publications in Tales for the Disenchanted (2008) and Penumbra Art & Literature (2015). She has served as an editor for the literary arts magazine Pen & Brush and as a writing coach for the academic consulting company Brattlestreet. Kelly works as a freelance editor and ghostwriter in her free time.

What She’s Looking For:

Kelly considers herself a generalist who is drawn to lyrical writing and strong voices. She is interested in nonfiction (narrative nonfiction, memoirs, true crime, self-help, business, travel writing, photography, medical, STEM, psychology, health and fitness, music, food & drinks, cooking) and adult fiction (psychological thrillers, suspense, comedies).

She enjoys working with musicians, television personalities, athletes, and other pop culture figures to help translate their stories or expertise onto the page. 

She also represents children’s books including picture books, middle grade, and young adult. She enjoys fast-paced, plot-driven fiction with twists, turns, and jaw-dropping moments. She is drawn to stories about leadership, overcoming adversity, and beating the odds. Stories that are told from a unique psychological vantage point are always of interest.

The truth is often stranger than fiction, so Kelly is actively looking for the next great true crime manuscript with a murderous and methodical plot. She loves multi-layered protagonists who struggle between what is right and wrong, and anti-heroes who are villainous but endearing at the same time. Some of her favorite books that perfectly master this include Dearly Departed Dexter, You, American Psycho, Fight Club, Psycho, Interview With the Vampire, Dracula, and My Sister, the Serial Killer.

Kristen Terrette is a literary agent with Martin Literary Management.

Kristen is a literary manager excited to build her list featuring titles in middle grade, young adult, female-driven crime thrillers, faith-based books, and the occasional picture book with an author/illustrator.

She has a BA in Early Childhood Education and MA in Theology and Religious Studies which led her into children’s ministry for many years. Eventually, her lifelong love of books and authors drew her back to her original dream of entering the publishing world. Kristen is a multi-published author and freelance writer. She’s held such positions as the Blog Manager for a national women’s ministry and the Social Media Manager for a publishing house. All these components landed her a spot in the coveted Writers House Intern Program. There, she received valuable hands-on agenting and publishing experience which she brings into her new position. 

Kristen has long been a voice for diversity. She’s written extensively on topics of racial reconciliation and unity and is a facilitator of groups around these topics in her church. In all her focused genres, she welcomes books with BIPOC or disabled main characters and diverse friendships. She believes books change people in all the best ways and that every child should see themselves in the pages.

Middle Grade (All subgenres except Sci-fi): Kristen hearts Middle Grade. She would love to see books tackling themes like abandonment, bullying, loneliness, comparison, divorce, and body image but done so by instilling hope, growth, and healing. Send her the creepy, horrifying, supernatural, fantastical, historical, and contemporary. She is ready to see it all.

Young Adult (All subgenres except Sci-fi): Kristen’s background in writing YA and her extensive reading in this genre has given her a great love and understanding of it. Grab her attention within the first couple of pages. Send her books with first loves, unique friendships, interesting and/or challenging family dynamics, and hard-hitting subject matter (race relations, suicide, abuse, divorce, etc.) but leave her with a satisfying (not necessarily happy!) ending.

Women’s Crime Thriller: Kristen loves a good thriller with a woman main character, so send her the smart, tough, and brave lady crime solvers. If she can’t figure out what’s going to happen next or what the ending will be, you’ve gotten her attention. 

Faith-Based Fiction and Memoirs: Kristen loves a good redemption or forgiveness story, a historically accurate saga, a clean and beautiful, yet realistic love story, or a memoir that has her crying and laughing within the span of a few pages. Surprise her with the beauty of God’s grace. 

Picture Books with Authors/Illustrators: Picture books are an important part of establishing a love for literature at an early age, though, at this time, Kristen is only looking for authors who are also illustrators. If your work fits these criteria, she’d love to see it.

Kristen is not a good fit for Science Fiction (even in MG or YA), books with any political agenda, extremely foul-mouthed characters, or gratuitous sex scenes.

Anjanette Barr is a Literary Agent at Dunham Literary, Inc. She has been working in various branches of the writing and publishing world for over a decade, and being an agent is the perfect way to synthesize her interests and talents.

She spent the pandemic earning a certificate in Literary Representation from UCLA Extension. She also holds a B.A. in Japanese Studies from William Jewell College.

Anjanette lives with her family of six in Juneau, Alaska.

Member:

– Association of American Literary Agents
– Society of Children’s Book Writers and Illustrators
– Alaska Writers Guild
– Catholic Writers Guild

What she’s seeking:

Anjanette has an eclectic reading taste and a love for literature that “baptizes the imagination” (C.S. Lewis) and begs to be shared. She loves genre and popular fiction with substance, and literary and non-fiction titles infused with living ideas that leave readers with a new desire to immerse themselves in the subject matter.

This could look like an historical fiction that uses captivating detail and relatable characters to bring times-gone-by to life (My Antonia, Outlander), or it could be a SFF world that highlights virtues like empathy and self-sacrifice (Lord of the Rings, Song of Albion, The Sparrow). A romance set in a place so vivid she feels she’s traveled there and wants to take up the protagonists hobbies will definitely get her attention (The Winter Sea).

In nonfiction she is looking for well-researched biography (Unbroken) written in beautiful literary prose, popular science and other disciplines titles that make lay-people enchanted and invested in topics previously over their heads (The Elements by Theodore Grey, Freakonomics), and memoir with the ability to connect diverse readers (If You Lived Here I’d Know Your Name by Heather Lende). She’s also interested in books that shed light on poverty and justice in a new way (Evicted by Matthew Desmond).

She prefers picture books that are winsome and pleasant to read aloud (Blueberries for Sal, Brigid’s Cloak by Bryce Miligan, Miss Rumphius). Humor is great when it helps tell the story (The Book with No Pictures, Good Dog Carl).

Particular interests of Anjanette’s are the exploration of culture, history, faith, myth, fine arts, and nature. She has a soft spot for gothic novels (​Rebecca, Once Upon a River by Diane Setterfield) and magical realism (The Snow Child by Eowyn Ivey). As a mother of four, she’s is especially fond of books that can be read aloud and shared with the whole family (Children of the Longhouse, Anna Hibiscus, Gregor the Overlander).
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Anjanette is not a good fit for: Horror (unless it’s gothic or quite mild), Erotica, True Crime, Sports, or Politics.